Scissorella: Creative Process

I’m delighted to have been asked by Andersen Press to take over their Instagram account this week and share my creative process behind Scissorella: The Paper Princess.

Scissorella is written by the fantastic Clare Helen Welsh and combines the much loved Cinderella fairy tale with the inspiring real life story of German animator Lotte Reiniger.

Left: My silhouette of Lotte Reiniger, Right: Lotte’s silhouette animations

Lotte is one of my all time heroes, so I was thrilled when the team at Andersen sent me Clare’s text. I adore working in silhouette and with the subject of fairy tales, so Scissorella was the perfect match.

Here are some images from a school Zoom event for Reading Rocks, I’m showing children the picture book and how to make paper puppets from my home studio in London.


Next I thought I’d share my favourite part of the book making process… the beginning!

I particularly love the weeks after reading a text, when I’m brimming with ideas and thoughts for how the book, characters and scenery might look, and where illustrations might work on the page…’Will that work as a full page spread? Can I split those illustrations into vignettes, to give the impression of movement and time passing?…’ So many questions!

I thought you might like to see the early roughs, working out the layout and pacing of the book. You can see how some of the roughs compare to the final spreads. It’s been so satisfying watching Scissorella go from early sketches to final artwork and beautifully foiled and printed book!


For Day 3 of my Scissorella #illustratortakeover of Andersen Press’ Instagram account, I thought I’d share some character development.

Just like the original Cinderella tale, there’s a clear journey that Lotte goes on throughout the book. I hoped to capture her progression; from put upon house maid, to crafty star of the ball, and finally inventive maker who creates her own happily ever after!

I wanted our Lotte character to have some resemblance to the real life Lotte Reiniger. She started working as an animator and paper cut artist in the 1920s & 30s, so I decided to give Lotte and her surroundings an Art Deco setting. I enjoyed taking fashion and interior design inspiration from this period, with colour inspired by the films of Wes Anderson.

You can see Lotte and her surroundings’ change. We decided that there should be quite muted colours and outfits at the start, transitioning to more colour and style as Lotte comes into her own. Here you can see some of those transitions and first character developments.


Day 4 of my Andersen Press Scissorella #illustratortakeover is all about details.

I usually work digitally, drawing silhouette shapes with a Wacom tablet into Adobe Illustrator. I sketch first, then after I digitally draw each character, object and piece of scenery I move everything around until I’m happy with the composition. Every now and then I also create paper cut outs with scissors or a scalpel. Scissorella was a fun combination of the two!

To create artwork reminiscent of the real life puppets of Lotte Reiniger, I drew my illustrations as usual and then photographed various papers before using these textures on top of my illustrations in Photoshop. I found lots of different types of paper; handmade, fabric and even a pearlescent type to use for Lotte’s paper cut dress!

Here are a few examples of how I’ve used the texture in the book along with the actual papers that I used.


It’s the final day of my Andersen Press Illustrator Takeover, so I’m going to reveal my favourite spread from Scissorella. It’s been a pleasure sharing details from the book with you all, thanks for following along!

The best part of working on Scissorella was getting to create a laser cut centrefold! In the book, Lotte visits the Prince’s palace ball and wows everyone with her paper cutting skills. So we decided to show a peek through the palace windows.

It was a challenge making sure that everything lined up properly, and that the windows were ornate but not so much that they would fall to pieces! I’m so pleased it worked out. ✂

Here’s a page from my sketchbook, planning out how the laser cut windows might work and a video of the final printed version.

Scissorella is written by the fantastic Clare Helen Welsh and combines the much loved Cinderella fairy tale with the inspiring real life story of German animator Lotte Reiniger.

Vintage Books: A Fairy Tale Revolution

I was thrilled to be commissioned by Vintage Books to illustrate 3 fairy tales that have been given a feminist spin by 3 bestselling authors; Malorie Blackman, Kamila Shamsie and Jeanette Winterson. The tales were Blueblood, Duckling and Hansel and Greta- all modern takes on classic tales.

A photo of the book covers for the Fairy Tale Revolution series, Blueblood, Duckling and Hansel and Greta

I created the interior illustrations for the series to go alongside another title by Rebecca Solnit- Cinderella Liberator, which used original illustrations by Arthur Rackham- one of my illustration heroes. It was a real honour to illustrate stories by such well respected authors that I’ve long admired.

A fairy tale book illustration from Duckling by Kamila Shamsie of a duck sitting in her nest with her baby ducklings hatching around her
2 fairy tale book illustrations from Duckling by Kamila Shamsie of ducklings and the ugly duckling swimming in the water. A farmyard artwork scene with the duckling flying over fields with a barn and tree in silhouette by moonlight
A book illustration from Blueblood of a woman's portrait in silhouette inside a decorative frame border
Two book illustrations from Blueblood of a couple in several scenes. On the sofa, climbing up a set of stairs and in the kitchen
A fairy tale book illustration from Hansel and Greta of a cabin in the forest with portraits of Hansel, the woodcutter and the aunt
A fairy tale book illustration from Hansel and Greta of a cabin in the forest with portraits of Hansel, Great and the woodcutter planting seeds in the forest through the changing seasons.

Working with book designer Friederike Huber, there was a lot of freedom to work out which parts of the text to illustrate. After reading through the tales several times, along with their original counterpart tales, I noted what I thought were the key scenes and very loosely created sketches for them. Then Friederike created the layouts and, with the team at Vintage, decided which illustrations would fit best. For Duckling, I took a walk around the local lakes in my area for inspiration on the setting, and looked over old photos from trips to forests in the UK and Germany for Hansel and Greta. For Blueblood I looked at a lot of fashion and interior design magazines.

A book illustration from Blueblood of a man and a woman in a library or office. He is nervous. There are books, a desk, a lamp and tools in silhouette

I worked with a wonderful team at Vintage- senior designers Julia Connolly and Kris Potter, editor Charlotte Knight plus Friederike. It was one of those special projects where the working relationship was particularly creative and productive, with lots of ideas being bounced back and forth. The book covers were designed and illustrated by cover designer Anna Morrison- I was tasked with creating silhouette characters to be dropped into her beautiful designs.

The series is published today and available to buy from WaterstonesAmazon and all good bookshops.

The Little Mermaid Creative Process

As we continue to be under lockdown due to the Coronavirus crisis, we might not be able to visit any bookshops in person but the paperback edition of The Little Mermaid was published just last week, so I thought I’d share some behind the scenes sneak peeks of my illustration process.

The Little Mermaid is rewritten by the wonderful Geraldine McCaughrean, based on the original tale by Hans Christian Andersen and published by Orchard Books. With design by the fantastic Sarah Malley.

The Cover

Book cover and back cover for The Little Mermaid Picture Book. A Mermaid illustration swimming in amongst a coraf reef and an underwater palace with fish and a seahorse.

The very first thing I set about doing was deciding what our protagonist, the Little Mermaid would actually look like. I was excited to be able to draw lots of swirling hair and to create lots of fish scale details for her tail- one of my favourite things is adding lots and lots of detailing. I also started to create her underwater sea palace and coral reef setting.

I tend to sketch some things in pencil and then move on to drawing digitally in Adobe Illustrator using a Wacom tablet. I draw a very rough shape before working back in to this to add more detail. I’ll draw all of the elements; characters and background scenery and then start playing around with layering them, figuring out what works best.

Rough illustration of a mermaid and a palace under the sea
The Little Mermaid Picture Book rough sketches of an underwater palace or castle and coral plants

Once I was happy with her general look, I redrew her to fit the cover better, and started to try to frame the title with seaweed. I sketched out a basic seaweed shape, drew this digitally and then thickened the seaweed up, trying to make it look more organic. I then filled the rest of the cover with decorative coral, shells and bubbles.

Rough version of a book cover for The Little Mermaid. A mermaid illustration swimming with fish and a seahorse.

Cover work inprogress

Work in progress sketches and images of The Little Mermaid book cover coming together

Cover sketch, more work in progress and final cover

Inside the book

Here are a few initial sketches and progress images from the interior illustrations, all the way up to final artwork.

Rough sketches and development artwork for The Little Mermaid

Sketch and work in progress

Picture book spread of mermaids swimming in front of a castle under the sea

Final illustration

Sketches from the Little Mermaid picture book. Fireworks on a ship and a mermaid looks on

Sketch and work in progress

Picture book spread of the Little Mermaid and the prince and his ship with fireworks in the sky

Final illustration

Sketches of stormy waters

Sketch and work in progress

Picture book spread of a ship caught in a storm with waves rolling and boat sinking

Final illustration

Thanks for reading! You can see more of my books and other work at https://www.laurabarrett.co.uk/books.